Le Cinéma Club Journal

From the Archives of Brigitte Lacombe: On the Set of All the President’s Men

A trip behind the scenes of Alan J. Pakula’s political thriller masterpiece with the renowned photographer.

One of American independent cinema’s most iconic figures picks five films she loves: a pick-up to “You Really Got Me” and a feminist call to arms.

interview

"A black girl looking through the camera. The ocean. An empty club."

An evocative conversation with the French-Senegalese director of Cannes Grand Prix winner Atlantics.

The audacious director of High Life and Beau travail on five films with “immortal” qualities.

interview

"We were teens when Jimmie first told me about the majestic Victorian home he once lived in."

Dream homes and cinema cathedrals with the director of Sundance award-winner The Last Black Man in San Francisco.